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University Of Hawai'i Art Gallery - Exhibition - All About Ink: Brushwork, Eastern Aesthetics and Culture
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UNIVERSITY OF HAWAII AT
MANOA
Department of Art & Art History
University of Hawaii Art Gallery
Department of Art & Art History
University of Hawaii Art Gallery
PRESS INFORMATION: FOR IMMEDIATE
RELEASE updated February 15,
2011
CONTACT
Lisa Yoshihara, Director (808) 956-6888
Sharon Tasaka, Associate Director (808) 956-6888
email: gallery@hawaii.edu
Lisa Yoshihara, Director (808) 956-6888
Sharon Tasaka, Associate Director (808) 956-6888
email: gallery@hawaii.edu
ART
EXHIBITION
The Reformer's Brush: Modernity and Traditional Media in China
The Reformer's Brush: Modernity and Traditional Media in China
The year 2011 marks the hundredth anniversary of the
Xinhai Revolution, which saw the abdication of the six-year-old last emperor of
the Qing Dynasty and led ultimately to the founding of the Republic of China.
This exhibition, which features painting and calligraphy from late nineteenth
and early twentieth-century China in the collections of Dr. Ernest and Letah Lee
and Dr. Chin-tang Lo, examines the relationship between tradition and modernity
in this transitional period. Many of the men at the center of the debates over
modernization also cultivated the traditional practices of painting and
calligraphy in ways that reflected or were engaged with the very questions of
modernization and change that were central to their times. These include Chiang
Kai-shek, Mei Lanfang, Liang Qichao, Kang Youwei, Guo Moruo, and many
others. The Reformer's Brush showcases their artworks, their
lives, and their ambitions for reform.
LOCATION
University of Hawaii Art Gallery
Art Building, University of Hawaii at Manoa
University of Hawaii Art Gallery
Art Building, University of Hawaii at Manoa
DATES
February 27 - April 8, 2011
February 27 - April 8, 2011
SPONSORS
Sponsored by the University of Hawaii at Manoa's Department of Art and Art History and the College of Arts; anonymous donors; and Manoa Arts & Minds, a partnership that cultivates the mind and spotlights the best of art, music, theater, dance and special performances at UH Manoa. http://www.manoa.hawaii.edu/chancellor/arts_minds/. Opening reception co-sponsored by the UHM Center for Chinese Studies.
Sponsored by the University of Hawaii at Manoa's Department of Art and Art History and the College of Arts; anonymous donors; and Manoa Arts & Minds, a partnership that cultivates the mind and spotlights the best of art, music, theater, dance and special performances at UH Manoa. http://www.manoa.hawaii.edu/chancellor/arts_minds/. Opening reception co-sponsored by the UHM Center for Chinese Studies.
HOURS &
ADMISSION
Monday - Friday 10:30-5:00; Sunday 12:00-5:00.
Closed Saturdays; Spring Break, March 21 - 25.
Admission is free. Donations are appreciated.
Parking fees may apply.
Monday - Friday 10:30-5:00; Sunday 12:00-5:00.
Closed Saturdays; Spring Break, March 21 - 25.
Admission is free. Donations are appreciated.
Parking fees may apply.
EXHIBITION SUMMARY
The Reformer's Brush, set to commemorate
the 100th anniversary of the 1911 revolution in China, showcases 78 works of
Chinese calligraphy and painting from Honolulu collectors Dr. Ernest and Letah
Lee and Dr. Chin-tang Lo. This special exhibition is presented in conjunction
with the 70th anniversary of The Association for Asian Studies and its special
joint conference with the International Convention of Asian Scholars, to be held
from March 31 to April 3 at the Hawaii Convention Center. The selected works
illustrate the ways in which those who participated in the various movements to
modernize China through the 19th and early 20th centuries made use of these
traditional art forms to reflect their ambitions for reform. The artists, who
include painters as well as political, military, social, and educational
leaders, took part in the reform movements that resulted in the 1911 revolution
and the founding and shaping of the new Republic. These include several men
with ties to Hawaii, including Li Hongzhang, who received King Kalakaua and
Queen Emma on their 1881 visit to China, and Liang Qichao, who visited Honolulu
in 1899 to raise funds for reform. Other featured artists include Chiang
Kai-shek, Mei Lanfang, Kang Youwei, Guo Moruo, and many others.
The men whose work is featured in the exhibition did
not all agree on the path to reform, but they all engaged in negotiating the
balance between China's traditional cultures and technologies and the changes
brought about through modernization. Although painting and calligraphy had
their roots in the traditional culture such men sought to transform, these art
forms never lost their original cultural significance. This explains the
continued vitality of painting and calligraphy in the face of radical change.
It also explains why so many men at the forefront of modernization continued to
practice one or both of the arts of the brush, and ultimately, why their work in
such traditional media refused to shy away from the topics of modernization and
change.
Kate Lingley, UHM assistant professor of Chinese art
history and principal curator of The Reformer's Brush,
states, "We are very excited about this exhibition. Besides its exploration of
the relationship between tradition and modernity in China's recent history, the
exhibition also illustrates the long and close involvement of the Chinese
community in Hawaii with reform and revolution in China. The Hawaii connections
to such an important moment in China's history are brought to life in this
exhibition through the collections of two Chinese-American collectors who reside
in Honolulu. The collectors themselves, as well as their collections, reflect
the history of the Chinese in Hawaii. They include a Hawaii-born
Chinese-American collector who traveled to Hong Kong and Macau to assemble his
collection, and a Chinese-born emeritus professor from the University of Hawaii,
himself a painter and calligrapher, who knew many of these reformers personally
and received their works as gifts from one artist to another."
"We are honored that the collectors are willing to
present their outstanding collections for this special exhibition," said Lisa
Yoshihara, UH Art Gallery director and co-curator. "The styles of calligraphy
range from the angular ancient oracle bone script to the more cursive and
ornamental scripts. The brushwork can be delicate and graceful, or bold and
dynamic. A Chinese scholar's study and other period furniture will be included
in the exhibition to create the sense of a typical environment where the artists
and leaders worked and lived with their creations. Our free Chinese film series
will also help to put the paintings and calligraphy into historical context. We
encourage visitors to enjoy the qualities and nuances of the brushwork, and to
learn about the fascinating historical figures, their lives, their ambitions for
reform, and their works."
SPECIAL EVENTS
All events are free and open to the public. Seating
for events and films are on a first-come, first-served basis. The schedule of
events may be subject to change. Parking fees may apply. For the latest
information and more details go to http://www.hawaii.edu/artgallery/ or call
808-956-6888.
OPENING
PROGRAM
Sunday, February 27, from 2:00-3:00
UHM Art Auditorium, Room 132
Sunday, February 27, from 2:00-3:00
UHM Art Auditorium, Room 132
Do Great Political Thinkers Make Great Artists?
Visual Culture as a Medium for Reform in Turn-of-the-Century
China
Keynote speaker: Shana J. Brown,
Assistant Professor, Department of History, University of Hawaii at
Manoa.
Brown is a graduate of Amherst College and the University of California, Berkeley. She has studied, worked, and traveled extensively in China and Asia. Her area of expertise is modern Chinese intellectual and cultural history, with a special focus on visual culture in its global context.
Brown is a graduate of Amherst College and the University of California, Berkeley. She has studied, worked, and traveled extensively in China and Asia. Her area of expertise is modern Chinese intellectual and cultural history, with a special focus on visual culture in its global context.
OPENING
RECEPTION
Sunday, February 27, from 3:00-5:00 p.m.
The public is invited.
Sunday, February 27, from 3:00-5:00 p.m.
The public is invited.
GALLERY
TOURS
Sundays, March 6, 20, 27, & April 3, 2:00-3:00 p.m.
Sundays, March 6, 20, 27, & April 3, 2:00-3:00 p.m.
March 6 & March 27: Led by Kate
Lingley, UHM assistant professor of Chinese art history, principal curator
of the exhibition, and author of the exhibition catalogue essay.
March 20: Led by Lisa
Yoshihara, Director, University of Hawaii Art Gallery, and co-curator of the
exhibition.
April 3: A collector's tour led
by Dr. Ernest Lee, Honolulu cardiologist, who has studied and collected
Chinese painting and calligraphy for over 30 years.
DEMONSTRATION
Sunday, March 13, 2:00-3:00 p.m., UH Art Gallery courtyard
Chinese brush painting demonstration led by Yao Si Min, artist at the Chengdu Painting Academy and a member of the Chinese Artists' Association in China. Yao uses both traditional and contemporary styles to create paintings of nature that have garnered recognition and awards.
Sunday, March 13, 2:00-3:00 p.m., UH Art Gallery courtyard
Chinese brush painting demonstration led by Yao Si Min, artist at the Chengdu Painting Academy and a member of the Chinese Artists' Association in China. Yao uses both traditional and contemporary styles to create paintings of nature that have garnered recognition and awards.
EDUCATIONAL CHINESE FILM
SERIES
Sundays beginning March 6 at 3:30 p.m.
UHM Art Building, Room 101
Sundays beginning March 6 at 3:30 p.m.
UHM Art Building, Room 101
A selection of films that complement The
Reformer's Brush exhibition will provide important insight into the
history, culture, and lives of people around the time of the Xinhai Revolution
in China. Each film is preceded by a short educational
presentation.
Sunday, March 6, 3:30
p.m.
China in Revolution: 1911-1949, directed by Sue Williams (1989, not rated, 120 minutes).
In English.
First installment of a three-part documentary first aired by WGBH Boston and the BBC, entitled China: A Century of Revolution. This powerful program takes a remarkable first-hand look at
China's tumultuous history, examining its social, political and cultural upheaval through eyewitness accounts, rare archival film footage and insightful commentary.
China in Revolution: 1911-1949, directed by Sue Williams (1989, not rated, 120 minutes).
In English.
First installment of a three-part documentary first aired by WGBH Boston and the BBC, entitled China: A Century of Revolution. This powerful program takes a remarkable first-hand look at
China's tumultuous history, examining its social, political and cultural upheaval through eyewitness accounts, rare archival film footage and insightful commentary.
Sunday, March 13, 3:30
p.m.
The Last Emperor, directed by Bernardo Bertolucci (1987, rated PG-13, 167 minutes).
In English.
A dramatic history of Puyi, the last of the emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
The Last Emperor, directed by Bernardo Bertolucci (1987, rated PG-13, 167 minutes).
In English.
A dramatic history of Puyi, the last of the emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
Sunday, March 20, 3:30
p.m.
A Spray of Plum Blossoms, directed by Bu Wancang (1931, not rated, 100 minutes). Silent.
Adapted from Shakespeare's The Two Gentlemen of Verona, this film is set in the changing society of 1920s China. Hu Luting and Bai Lede are both graduates from the Shanghai Military Academy. Hu is sent to Canton under General Shi's command. Shi Luohua, the general's daughter, falls in love with Hu. Later, Bai joins his friend in Canton and feels attracted by Miss Shi. From then on, two young men become rivals.
A Spray of Plum Blossoms, directed by Bu Wancang (1931, not rated, 100 minutes). Silent.
Adapted from Shakespeare's The Two Gentlemen of Verona, this film is set in the changing society of 1920s China. Hu Luting and Bai Lede are both graduates from the Shanghai Military Academy. Hu is sent to Canton under General Shi's command. Shi Luohua, the general's daughter, falls in love with Hu. Later, Bai joins his friend in Canton and feels attracted by Miss Shi. From then on, two young men become rivals.
Sunday, March 27, 3:30
p.m.
Rickshaw Boy, directed by Ling Zifeng (1982, not rated, 123 minutes), based on Lao She's 1937 novel. In Chinese with English subtitles.
The story was meant by Lao She as a commentary on what he saw as the tradition-bound society in which he lived. In the 1920s, a young, hardworking peasant arrives in Beijing to become a rickshaw boy at a time when the city is torn by dueling warlords. His fortunes rise and fall but he is destined to suffer because he is always at the mercy of his environment.
Rickshaw Boy, directed by Ling Zifeng (1982, not rated, 123 minutes), based on Lao She's 1937 novel. In Chinese with English subtitles.
The story was meant by Lao She as a commentary on what he saw as the tradition-bound society in which he lived. In the 1920s, a young, hardworking peasant arrives in Beijing to become a rickshaw boy at a time when the city is torn by dueling warlords. His fortunes rise and fall but he is destined to suffer because he is always at the mercy of his environment.
Sunday, April 3, 3:30
p.m.
King of Masks, directed by Wu Tianming (2000, not rated, 91 minutes). In Chinese with English subtitles.
Wang is an aging street performer known as the King of Masks for his mastery of the rare and dying art of Sichuan mask-changing, but he lacks a son to pass his skills on to. Then, one night after a performance, he is sold a young boy by a slave trader posing as the boy's parent. "Grandpa" finds new joy in life as he plans to teach "Doggie" his art. All is well until Doggie turns out to be a girl.
King of Masks, directed by Wu Tianming (2000, not rated, 91 minutes). In Chinese with English subtitles.
Wang is an aging street performer known as the King of Masks for his mastery of the rare and dying art of Sichuan mask-changing, but he lacks a son to pass his skills on to. Then, one night after a performance, he is sold a young boy by a slave trader posing as the boy's parent. "Grandpa" finds new joy in life as he plans to teach "Doggie" his art. All is well until Doggie turns out to be a girl.
PUBLICATION
The 128-page full color catalogue for The Reformer's Brush: Modernity and Traditional Media in China features an essay by Dr. Kate Lingley, assistant professor of Chinese art history at the Department of Art and Art History, University of Hawaii at Manoa, and co-curator of the exhibition, that discusses the important men and their many contributions to politics, society, culture, art, and education at a pivotal point in Chinese history. The catalogue includes many color illustrations of their works of calligraphy and painting that were selected for the exhibition. It will be available for the special price of $28.00 at the University of Hawaii Art Gallery through April 8.
The 128-page full color catalogue for The Reformer's Brush: Modernity and Traditional Media in China features an essay by Dr. Kate Lingley, assistant professor of Chinese art history at the Department of Art and Art History, University of Hawaii at Manoa, and co-curator of the exhibition, that discusses the important men and their many contributions to politics, society, culture, art, and education at a pivotal point in Chinese history. The catalogue includes many color illustrations of their works of calligraphy and painting that were selected for the exhibition. It will be available for the special price of $28.00 at the University of Hawaii Art Gallery through April 8.
PUBLICITY
PHOTOS
High-resolution digital images are available upon request.
High-resolution digital images are available upon request.
WEBSITE
Please visit http://www.hawaii.edu/artgallery for more information.
Please visit http://www.hawaii.edu/artgallery for more information.
University of Hawaii
System
Established in 1907 and fully accredited by the Western Association of Schools and Colleges, the University of Hawaii is the state's sole public system of higher education. The UH System provides an array of undergraduate, graduate, and professional degrees and community programs on 10 campuses and through educational, training, and research centers across the state. UH enrolls more than 50,000 students from Hawaii, the U.S. mainland, and around the world. For more information visit www.hawaii.edu.
Established in 1907 and fully accredited by the Western Association of Schools and Colleges, the University of Hawaii is the state's sole public system of higher education. The UH System provides an array of undergraduate, graduate, and professional degrees and community programs on 10 campuses and through educational, training, and research centers across the state. UH enrolls more than 50,000 students from Hawaii, the U.S. mainland, and around the world. For more information visit www.hawaii.edu.
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