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University Of Hawaii Art Gallery - Degrees of Distinction: Alumni Invitational Exhibition
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UNIVERSITY OF HAWAII AT
MANOA
Department of Art & Art History
University of Hawaii Art Gallery
Department of Art & Art History
University of Hawaii Art Gallery
PRESS INFORMATION: FOR IMMEDIATE
RELEASE
September 30, 2009
September 30, 2009
CONTACT:
Lisa Yoshihara, Director; or Sharon Tasaka, Associate Director
(808) 956-6888, <gallery@hawaii.edu>, http://hawaii.edu/artgallery
Lisa Yoshihara, Director; or Sharon Tasaka, Associate Director
(808) 956-6888, <gallery@hawaii.edu>, http://hawaii.edu/artgallery
ART
EXHIBITION
Degrees of Distinction: Alumni Invitational Exhibition
Degrees of Distinction: Alumni Invitational Exhibition
Features 24 artists and art historians educated at the
Department of Art and Art History, University of Hawaii at Manoa who are
recognized for their work and for their contributions as artists, educators,
designers, researchers, and museum professionals. Since first conferring of
Bachelor of Arts degrees in 1923, the Department of Art and Art History, over
the past 85 years, has had many alumni contribute locally, nationally, and
globally to the development of visual arts and the communities they live
in.
SPONSORS
University of Hawaii at Manoa's Department of Art and Art History, the College of Arts and Humanities, and Manoa Arts & Minds, a partnership that cultivates the mind and spotlights the best of art, music, theater, dance and special performances at UH Manoa. Graphic design provided by Nomura Design. http://www.manoa.hawaii.edu/chancellor/arts_minds/
LOCATION
University of Hawai'i Art Gallery
Art Building, University of Hawai i at Manoa
University of Hawaii at Manoa's Department of Art and Art History, the College of Arts and Humanities, and Manoa Arts & Minds, a partnership that cultivates the mind and spotlights the best of art, music, theater, dance and special performances at UH Manoa. Graphic design provided by Nomura Design. http://www.manoa.hawaii.edu/chancellor/arts_minds/
LOCATION
University of Hawai'i Art Gallery
Art Building, University of Hawai i at Manoa
DATES
October 25 - December 11, 2009
October 25 - December 11, 2009
OPENING
RECEPTION
Sunday, October 25, 3:00 - 5:00 p.m.
The public is invited.
Sunday, October 25, 3:00 - 5:00 p.m.
The public is invited.
HOURS AND
ADMISSION
Monday - Friday 10:30 - 5:00; Sunday 12:00 - 5:00.
Closed Saturdays, November 11, Veterans Day, and
November 26, Thanksgiving Day.
Admission is free. Donations are appreciated.
Parking fees may apply.
Monday - Friday 10:30 - 5:00; Sunday 12:00 - 5:00.
Closed Saturdays, November 11, Veterans Day, and
November 26, Thanksgiving Day.
Admission is free. Donations are appreciated.
Parking fees may apply.
TOURS
Every Sunday beginning Nov. 1 from 2:00 - 3:00 p.m.
Admission is free.
Every Sunday beginning Nov. 1 from 2:00 - 3:00 p.m.
Admission is free.
SPECIAL EVENTS
Artists Who Work in
Museums
Panel discussion
Sunday, October 25, 1:30 - 3:00 p.m.
Art Auditorium, Art Building, UHM
Panel discussion
Sunday, October 25, 1:30 - 3:00 p.m.
Art Auditorium, Art Building, UHM
Panelists:
Willa Cox, Registrar's Art Storeroom Manager, Storeroom One Manager,
The Metropolitan Museum of Art, NY
James Kuroda, Senior Exhibit Specialist, Hawai'i State Art Museum, HI
Aaron Padilla, Assistant Curator, Education Department, Honolulu Academy of Arts, HI
Gordon Sasaki, Teaching Artist and Educator, The Museum of Modern Art, NY
Inger Tully, Curator of Exhibitions, The Contemporary Museum, HI
Moderator: Lisa Yoshihara, Director, University of Hawai'i Art Gallery, HI
Junko Wong, Creative Director and Arts Entrepreneur
presents Behind Blythe: The History and How It Happened
Lecture and book-signing of Na Wahine 'Auli'i, a story of Blythe's visit to Hawaii
Tuesday, November 17, 6:00 p.m.
Art Auditorium, Art Building, UHM
Junko Wong, is the founder and president of Cross World Connections
International, a firm that represents international artists and illustrators, operates
three stores and an online illustration school. A driving force in the designer toy
culture, she is the executive producer and creative director of the Blythe doll, a
fashionable and highly-desired collectible. Wong has lived in Japan since 1983.
EXHIBITION SUMMARY
Willa Cox, Registrar's Art Storeroom Manager, Storeroom One Manager,
The Metropolitan Museum of Art, NY
James Kuroda, Senior Exhibit Specialist, Hawai'i State Art Museum, HI
Aaron Padilla, Assistant Curator, Education Department, Honolulu Academy of Arts, HI
Gordon Sasaki, Teaching Artist and Educator, The Museum of Modern Art, NY
Inger Tully, Curator of Exhibitions, The Contemporary Museum, HI
Moderator: Lisa Yoshihara, Director, University of Hawai'i Art Gallery, HI
Junko Wong, Creative Director and Arts Entrepreneur
presents Behind Blythe: The History and How It Happened
Lecture and book-signing of Na Wahine 'Auli'i, a story of Blythe's visit to Hawaii
Tuesday, November 17, 6:00 p.m.
Art Auditorium, Art Building, UHM
Junko Wong, is the founder and president of Cross World Connections
International, a firm that represents international artists and illustrators, operates
three stores and an online illustration school. A driving force in the designer toy
culture, she is the executive producer and creative director of the Blythe doll, a
fashionable and highly-desired collectible. Wong has lived in Japan since 1983.
EXHIBITION SUMMARY
Thousands of students have pursued degrees in art and
art history at the Department of Art at the University of Hawaii since it
conferred its first degrees in 1923. As artists, educators, designers,
researchers, and museum professionals, many of these graduates have contributed
to the visual arts and the communities they live in at local, national, and
global levels.
To highlight the careers and contributions of 24
alumni who received degrees from the Department of Art and Art History,
University of Hawaii at Manoa, the University of Hawaii Art Gallery is pleased
to present Degrees of Distinction:
Alumni Invitational
Exhibition.
"This exhibition really honors the University of
Hawaii at Manoa art and art history alumni and their careers. When we started
to do research for this exhibition, we knew that we were going to find
outstanding work and achievements by our graduates," said Lisa Yoshihara,
director of the University of Hawaii Art Gallery. "There are so many UH alumni
doing significant work toward the development of art and building their
communities, that it was difficult to make the final selection. The alumni see
their education and degrees from UH as critical and pivotal in their work and
careers. We hope that these alumni and their contributions will inspire our
current students, recent graduates, and the community to strive for
excellence."
Featured
artists are: Maile Andrade, Reiko Brandon, Sean
Browne, Momi Cazimero, Willa Cox, Allen Hori, Grant Kagimoto, Harold Koda, John
Koga, James Kuroda, Jason Minami, Wayne Miyamoto, Wayne Morioka, David Naito,
Aaron Padilla, Mary Philpotts McGrath, Abigail Romanchak, Gordon Sasaki, Laura
Smith, Noe Tanigawa, Inger Tully, Junko Wong, Shige Yamada, and Carol
Yotsuda.
The witty and graphic designs of island plants,
animals, food, and phrases created by Grant
Kagimoto, president of Honolulu company Cane
Haul Road, have a held special place in the hearts of locals for more than three
decades. Printed on t-shirts, tea towels, and calendars, the most popular of
his designs include Plantation Days, Club Musubi, and Shave Ice. Hundreds of
Kagimoto's memorable and iconic designs as well as several mixed media works on
paper will be presented during this exhibition. Kagimoto, who earned a BFA in
visual design in 1970, always felt it was important to give back because of the
community support for his work. He currently serves on the boards of the City
Commission on Culture and the Arts, Mo'ili'ili Community Center, and TEMARI,
Center for Asian and Pacific Arts, and has been a juror for Scholastic Arts,
Sterling Scholarships, Congressional Art, Art Maui, and the Honolulu Japanese
Chamber of Commerce Art Exhibition.
A longtime resident of New York
City, Harold
Koda has held the position of curator in charge
at The Costume Institute, The Metropolitan Museum of Art since 2000. He has
also served as curator and director at The Edward C. Blum Design Laboratory at
the Fashion Institute of Technology, New York. Koda has curated and organized
many outstanding exhibitions individually and in collaboration with other
curators, scholars, and consultants. Inspired by the structural simplicity of
Paul Poiret's designs, Koda presents Paris
Coat as a combination of projected animation of
the famous couturier's remarkable skills of draping with a life-size replica of
the original garment from 1919. He states, "But for me, in the end, success is
achieved if people find in passing through a Costume Institute exhibition, that
they are engaged by something that had never arrested their attention before and
leave wanting to go deeper and to learn even more." Koda received a BA with
distinction in English literature and a BFA in art history in 1972 from the
University of Hawai'i, and a Master's of Landscape Architecture from Harvard
University in 2000.
President of premier interior design company Philpotts
& Associates, Inc., Mary Philpotts
McGrath focuses on reconnecting people with
their surroundings and creating timeless, welcoming environments. For nearly
fifty years, she has incorporated her universal sense of style, sense of place,
and deep appreciation of Hawai'i and its culture into designs for private
residences through luxury hotels that have received national and international
recognition. Her book Hawai'i: A Sense of
Place, was published in 2005. Studying under
eminent scholars Jean Charlot, Kenneth Kingrey, and Betty Tseng Yu-Ho Ecke at
the University of Hawai'i during the 1950s, Philpotts McGrath learned to
skillfully blend Hawaii's open-air way of life with aspects of East and West. A
series of her Hawai'i-themed prints will be on view for this exhibition.
Philpotts McGrath has served on many boards and organizations including the
State Foundation on Culture and the Arts, Friends of 'Iolani Palace, Friends of
Washington Place, Hawaiian Historical Society, Garden Club of Honolulu,
Outrigger Duke Kahanamoku Foundation, Mayor's Advisory Committee for Historic
Preservation, Downtown Business Council, and Downtown Task Force on
Homelessness.
Gordon Sasaki,
who received a BFA with honors, 1987, and MFA, 1992, is a longtime educator at
The Museum of Modern Art in New York City, an advocate for accessibility for
people with disabilities, and a studio artist. He states, "In 1982, I was
involved in an automobile accident that injured my spine and has since required
me to use a manual wheelchair for mobility. This incident and subsequent life
experiences underscore the importance of creativity at an individual and broader
societal context. Simply put, art is a fundamental vehicle, which has the
potential to positively transform lives and the communities in which we live."
Sasaki brings his unique perspective and insight to his students, many of whom
have special needs. He presents a selection of his recent series of photographs
entitled NY
Portraits. "The series examines the constructed
nature of beauty through the lens and diversity of disability, presenting
alternative representations and models in artistic and societal contexts," he
explains.
Since 1993, Laura
Smith has been the executive director of
Honolulu Printmakers, a non-profit organization that promotes the appreciation
and understanding of printmaking and print production. She has been
instrumental in developing and managing its programs, events, workshops,
exhibitions, and membership. In 1987 Smith and Marcia Morse co-founded the
Honolulu Printmaking Workshop. It merged with the Honolulu Printmakers to
provide a community-access print studio for its members in 1993. "Sometimes it
is difficult to balance my work as an administrator and my need to continue
creating art. But the combination makes for a lively work life. . . . By
working for a small community based visual arts organization I have a satisfying
sense of contributing to a community of artists and arts supporters," says
Smith. Recognized for her woodcut prints, Smith often creates narratives and
stories through her print series. She received her MFA in printmaking in 1987.
Her work has been shown in the U.S., Japan, Korea, and Germany. She received
many awards including the Catherine E. B. Cox Award from the Honolulu Academy of
Arts in 1994.
Living in Japan since
1983, Junko
Wong established Cross World Connections (CWC),
a company that currently represents illustrators, graphic designers,
photographers, and artists worldwide; operates three different stores in Tokyo
and an online illustration school. Wong is chiefly responsible for the rebirth
of the Blythe doll, originally created by U.S. toy company Kenner in 1972.
Brought to her attention in 1999, Wong saw the doll's unusual eyes and facial
expression and recognized its potential appeal to adults in Asian markets. As
creative director and executive producer, Wong and her CWC team design each
Blythe doll. "I feel I have been a part and a driving force in the designer toy
culture because of Blythe, a doll of peculiar attraction. Not only has neo
Blythe started a doll-collecting frenzy, she is a canvas for fashion designers
and the muse of many photographers and illustrators around the world," said Wong
who received a BFA in 1980. Wong presents a selection of Blythe dolls,
conceptual drawings, photographs, and her
book Na Wahine
'Auli'i for this exhibition. CWC organizes
exhibitions and charity events around the Blythe dolls.
Arts educator, community advocate and organizer, and
studio artist, Carol
Yotsuda currently serves as volunteer executive
director for the Garden Isle Arts Council. For more than 30 years she has
worked tirelessly to bring arts to the people and people to the arts on Kauai.
"My involvement as an artist/educator within the larger community began in 1968
upon the encouragement of SFCA founding Executive Director Alfred Preis. . . .
Once I embraced that awareness and moved to make that difference, the natural
flow of energies of all those with whom I interacted . . . fed and continues to
feed this passion," said Yotsuda. The recipient of a BS, 1962, and MFA, 1984,
she has received many awards and was named a Living Treasure of Hawaii by the
Honpa Hongwanji Mission of Hawai'i in 2005. For this exhibition, Yotsuda
creates 49 clay figures based on the Buddhist concept
of chu-in,
meaning "intermediate shadow" that refers to the 49-day time period when the
spirit of the deceased is in a state of limbo, awaiting its passage to the Pure
Land of Amida Buddha.
PUBLICITY
PHOTOS
Digital images are available.
Digital images are available.
University of Hawai'i
System
Established in 1907 and fully accredited by the Western Association of Schools and Colleges, the University of Hawai'i is the state's sole public system of higher education. The UH System provides an array of undergraduate, graduate, and professional degrees and community programs on 10 campuses and through educational, training, and research centers across the state. UH enrolls more than 50,000 students from Hawaii, the U.S. mainland, and around the world. For more information visit www.hawaii.edu.
Established in 1907 and fully accredited by the Western Association of Schools and Colleges, the University of Hawai'i is the state's sole public system of higher education. The UH System provides an array of undergraduate, graduate, and professional degrees and community programs on 10 campuses and through educational, training, and research centers across the state. UH enrolls more than 50,000 students from Hawaii, the U.S. mainland, and around the world. For more information visit www.hawaii.edu.
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